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Text
Revised 1965
"RED STARS” — TRACT
THE REDS ARE BACK IN HOLLYWOOD! ! !
———
AMERICANS ...To save America
from the Communist Conspiracy —
DON’T PATRONIZE REDS!!!
Keep Them OUT of Your (TV) Living
Rooms - Out of Radio - Off the Screen
e-—
This Tract tells how YOU can do it!
——o
In 1947, in a speech in Hollywood, Myron C.
Fagan, famous Playright-Director-Producer, charged
that the REDS had acquired absolute control of Holly-
wood and Broadway — and transformed our Stage,
Screen and Radio into the Communist Conspiracy’s
most effective Fifth Column in America . . . that the
RED Stars, Directors, Writers and Producers ‘of Holly-
wood were the chief supporters, financial and other-
wise, of Communist propaganda in America. . . that
many films made by the Hollywood REDS were
being used by Moscow in Asia, Africa and through-
out the world to create hatred of America and
Americans . . . that other films were made to
craftily glorify COMMUNISM and ONE-WORLD-
ISM... and still other films that deliberately
created dissensions and hatreds between Negroes
and Whites, between North and South, between
Minority Groups and Americans.
That seo startled the nation, The Hollywood
Moguls frantically denied everything. That brought
the House Committee on Un-American Activities into
action. Their Hearings in Hollywood and Washington
fully confirmed all the (Fagan) charges against the
industry and all the named Stars — and sent the
notorious “Hollywood Ten” to jail. That ROCKED the
nation! The people, infuriated, began #o “blacklist”
the theatres showing those REDS and the Red Films.
Panic swept through the entire industry—it chased
Charlie Chaplin out of the country—it drove SCORES
of other REDS off the Screen... and, far more im-
portant, it closed THOUSAN DS of theatres!
THAT did the job! . . . it hit the Moguls in their
most vulnerable spot: their pocketbook!—and all their
“self-righteous” denials changed to piteous pleas
for forgiveness. They piously promised that “never
again would they employ any REDS” — that “never
again would they produce RED-propaganda films”
and for a time they seemingly kept their promises—
they even barred all tainted Stars from “Oscar”
honors.
But actually they were merely waiting for the
people to forget. And even while “waiting” they
were scheming and conniving how to keep those
REDS “alive” — and finally bring them back into
public favor . they continued to employ RED
writers, (even the. “Hollywood Ten’) under fictitious
names... they secretly financed pictures made in
Europe by banished American REDS . . . other RED
Stars were “taken care of” in Broadway plays. . -
then, as it grew in stature and importance, TELE-
VISION became their greatest sanctuary]
And, tragically, the people did begin to “forget”.
And, gradually, the Marches, the Robinsons, the
Milestones and all the other REDS began to creep
back into Hollywood . . . and once again our theatre
Screens are showing films that sanctify MARXISM—
ONE-WORLDISM—RACIAL DISSENSIONS!
In short, TODAY the REDS are back in Hollywood
stronger and more brazen than ever — even the in-
famous "HOLLYWOOD TEN” are back again!— and
all the honors, including the “Oscar”, have been
restored to them .. . all because the people have
forgotten!
PAUL MUNI
EDWARD R. MURROW
ITER
_ GREGO
NT PR
ANTHONY UINN
ANNE REVERE
QUENTIN REYNOLDS
EDWARD G. ROBINSON
SELENA ROYL
ROBERT RYAN
HAZEL SCOTT
PETE SEEGER
LISA SERGIO
SYLVIA SIDNEY
eae SINATRA
ALE SONDERGARD
tioniet venee
Eten
PRANCHOT ATONE
HILDA VAUGHN
J. Re WALSH
FREDI_ WASHINGTON
0 WELLES.
JOSH WHITE
poe Witess
SAM ZIMBAL\ST
WRITERS, DIRECTORS, PRODUCERS, COMPOSERS
HARMON (HY) ALEXANDER
SY _BARTLE
LEONARD SrtA
WALTER BERNSTEI
ALVAH
HERBERT BIBERMAN
MICHAEL BLANKFORT
MARC _BLITZSTEIN
SEE BLOOMGARDEN
RICHARD BROOKS
SIDNEY BUCHMAN
ABE uae
VERA CASPARY
EDWARD CHODOROV
JEROME CHODOROV
HAROLD CLURMAN
PESTER COLE
BETTY COMDEN
MARC CONNELLY
an ON COPELAND
ORMAN CORWIN
CHERYL CRAWFORD
I. A. L. DIAMO
WILLIAM DIETERLE
DEAN DIXON
PHILIP DUNNE
GS DORE
ALBERT HACKETT
oes Vip HARBURG
Ben echie
LILLIAN HELLMAN
JOHN HOUSEMAN
SOL H
LEO HURWITZ
JOHN HUSTON,
CHARLIE ISAACS
GA NIN
Gicaont RANIN
ELIA
antht “KOBER
S. (HY) KRAFT
STANLEY Ke ER
MILLARD LAMPE
RING LARDNER. IR.
FRITZ LANG
soa LAVERY
OHN HOWARD LAWSON
AVON ie LYON
ARCHIBALD MacLEISH
ALBERT MALTE
DANIEL (DANNY) MANN
MARY. McCALL
LEWIS, MILESTONE
MILLE
DUDLEY NICHOLS
CLIFFOR RD_ODETS
JESS OPPENHEIMER
ORMAN PANAMA
DOROTHY. PARKER
industry and all the named Stars — and sen? tho
notorious “Hollywood Ten” to jail. That ROCKED the
nation! The people, infuriated, began to “blacklist”
the theatres showing those REDS and the Red Films.
Panic swept through the entire industry—it chased
Charlie Chaplin out of the country—it drove SCORES
of other REDS off the Screen... and, far more im-
portant, it closed THOUSANDS of theatres!
THAT did the job! . . . it hit the Moguls in their
most vulnerable spot: their pocketbook!—and all their
“self-righteous” denials changed to piteous pleas
for forgiveness. They piously promised that “never
again would they employ any REDS” — that “never
again would they produce RED-propaganda films”
and for a time they seemingly kept their promises—
they even barred all tainted Stars from “Oscar”
honors.
But actually they were merely waiting for the
people to forget. And even while “waiting” they
were scheming and conniving how to keep those
REDS “alive” — and finally bring them back into
public favor . . . they continued to employ RED
writers, (even the “Hollywood Ten”) under fictitious
names .. . they secretly financed pictures made in
Europe by banished American REDS .. . other RED
Stars were “taken care of” in Broadway plays. . .
then, as it grew in stature and importance, TELE-
VISION became their greatest sanctuary]
And, tragically, the people did begin to “forget”.
And, gradually, the Marches, the Robinsons, the
Milestones and all the other REDS began to creep
back into Hollywood... and once again our theatre
Screens are showing films that sanctify MARXISM—
ONE-WORLDISM—RACIAL DISSENSIONS|
In short, TODAY the REDS are back in Hollywood
stronger and more brazen than ever — even the in-
famous “HOLLYWOOD TEN” are back again!— and
all the honors, including the “Oscar”, have been
restored fo them .. . all because the people have
forgotten!
TV AN EVEN GREATER MENACE
Today, virtually all films for TV are made in
Hollywood — by the Hollywood Reds! RIGHT NOW
all the Hollywood Lots are making thousands of TV
films full of craftily camouflaged RED propaganda,
and, via your TV Set, they are being piped into your
Living Room—and are brainwashing and poisoning
your children right under your very eyes !!...
YOU can stop all thatl—by shunning the theatres
that show the REDS—by refusing to buy the products
of the Sponsors who bring the REDS into your Living
Room! You did it once—you can do it again!
WORST RENEGADES OF ALL!
The Racial Upheaval is, today, the most vicious
weapon of all to destroy our country, to transform
it into a Negro Soviet America. Naturally, the Holly-
wood Reds know it—they are SUPPORTING it—they
lead the Negro marchers in order to give them pres-
tige. The “March on Washington” was designed to
intimidate Congress into passing Kennedy's Civil
Rights Bill. Among the Leaders in that “March” were
Marlon Brando, Burt Lancaster, Paul Newman, Joanne
Woodward, Joseph Mankiewicz and many known
Hollywood and TV Reds ... . Not only that, but, im-
mediately after the “March,” they called on all the
Hollywood Stars (the Reds) to join in a “performers’
boycott” of all segregated theatres, night clubs and
Concert Halls. . . “If every composer, every musician,
every actor, EVERYONE in our profession refused to
allow his contributions to be displayed in any segre-
eta ae it will be very effective—it will win the
ight for the Negoes,” said Brando,
Do we need any more proof that the Reds in Holly-
wood, Radio and TV are actively aiding the Com-
munist plot to take-over America? . . . Do we need
any more reason to drive them off the screens?
Here Is How YOU Can Drive Them Out:
Read the following list . . . They are the best
known of the REDS and FELLOW-TRAVELERS who
made our SCREEN Communism’s most effective
“Pied Piper”. They are now coming into your Liv-
ing Room night affer night VIA YOUR TV SET and
Radio . . . WATCH FOR THEMI . . . Keep this list
with you ALWAYSI. .. When one of them appears
‘on your SET send a copy of this Tract to the SPON-
SOR immediately—and WARN him that if he will
bring another RED into your Living Room you will
never again buy his products—and then fulfill your
warning! . . . Give this Tract to your Grocer, your
Butcher, to ALL Dealers you patronize — and warn
them — so they can warn the Sponsors — also send
copies to your local TV and Radio Stations . . . USE
THE SAME METHOD WITH YOUR MOVIE THEATRE.
THAT is the only way we will drive the REDS out
of Hollywood — Radio — Television . . . Hit the
pocketbooks of the Sponsor | | | REMEMBER: every
time you buy the products of a Sponsor who em-
ploys REDS you are hurting YOUR COUNTRY | | |
ACTORS, SINGERS, DANCERS, COMMENTATORS
LARRY ADLER BETTY GARRETT
LUTHER ADLER WILL cute ;
STELLA ADLER pea GUILFORD
VE ALLEN _ PAULETTE GODDARD
EDITH ATWATER LLOYD GOUGH
LAUREN BACALL BEN GRAUER
LUCILLE BALL UTA _HAGEN
JOHN BEAL JUNE HAVOC
GERTRUDE (MOLLY) BERG ats HAYWORTH
JOAN BENNETT VAI pa
BETSY BLAIR PAUL ENREE
.RLON BRANDO KATHERINE HEPBURN
LLOYD BRIDGES ROSE HOBART
EDDIE CANTOR JUDY HOLLIDAY
BENNETT Sid LENA HOR
CHARLIE CHAPLIN PEA HU!
EE J. COBB HET HUN
ICHARD_ CONTE JOHN IRELAND
JOSEPH COTTEN CHARLES IRVING
UME aonye BURL IVES.
OWARD DA SILVA SAM JAFFE
BETTE DAVIS LEON JANNEY
OLIVE DEERING GEORGE JESSEL
OLIVIA DE HAVILLAND DANNY KAYE
ALBERT DEKKER GENE KELLY
KIRK DOUGLAS TONY KRABE
ELVIN DOUGLAS BURT LANCASTER
ALFRED DRAKE GYPSY ROSE LEE
PAUL DRAPER RAY LEV.
HOWARD DU PETER LORRE
RICHARD DYER-BENNETT
FLORENCE ELDRIDGE
POUGLAS PAIRBANES, JR.
JOSEPH LOSEY
MYRNA LOY
ALINE MacMAHO!
JOSE FERRER FREDERIC MARCH
HENRY FONDA MARGO
AVA GARDNER GROUCHO MARX
SS Hates HERON eat
7 NE cue z ReNaTRe SSnENn. STEWART
SA 1 RAPHAEL JAMES THURE
MER CE a shiePanD TRAURE
H Rot b RO \ Pere VIERTEL
‘ iN IERRY WALD
bo ARY WANAMAKER
rea ee iY
ae SHAW Wepnice yOuhie
WM, L. SHIRER
Here you have the names of more than 200 of the
most rabid REDS and Fellow-Travellers. There are
MANY more, but lack of space pievene! the naming
of all. However, those in this list are the most im-
portant and flagrant—drive them out and it will
smash the entire RED Conspiracy in Hollywood and
in TELEVISION,
NOTE:—A more eeipliei list, with their officially
DOCUMENTED backgrounds of pro-Communist
activities, their RED TS, the techniques they.
employed through the years (still employ) to re-
tain their holds on both Hollywood and TV, and
other invaluable information can be found in
“DOCUMENTATIONS of the RED STARS and FEL-
LOW-TRAVELLERS in HOLLYWOOD and TV”, by
Myron C. Fagan ., . this book will startle you—
shock you—ENRAGE you . . . and make you
FIGHTING mad! You can get this sensational book
by sending $2.00 to Cinema Educational Guild,
Inc.
(Name) -
Street address City (Zone) State
This tract (“RED STARS”) can be obtained at the
rate of: 100 copies for $2.00. . . send your order to:
CINEMA EDUCATIONAL GUILD, INC.,
P.O. Box 46205
Hollywood 46, California
"RED STARS” — TRACT
THE REDS ARE BACK IN HOLLYWOOD! ! !
———
AMERICANS ...To save America
from the Communist Conspiracy —
DON’T PATRONIZE REDS!!!
Keep Them OUT of Your (TV) Living
Rooms - Out of Radio - Off the Screen
e-—
This Tract tells how YOU can do it!
——o
In 1947, in a speech in Hollywood, Myron C.
Fagan, famous Playright-Director-Producer, charged
that the REDS had acquired absolute control of Holly-
wood and Broadway — and transformed our Stage,
Screen and Radio into the Communist Conspiracy’s
most effective Fifth Column in America . . . that the
RED Stars, Directors, Writers and Producers ‘of Holly-
wood were the chief supporters, financial and other-
wise, of Communist propaganda in America. . . that
many films made by the Hollywood REDS were
being used by Moscow in Asia, Africa and through-
out the world to create hatred of America and
Americans . . . that other films were made to
craftily glorify COMMUNISM and ONE-WORLD-
ISM... and still other films that deliberately
created dissensions and hatreds between Negroes
and Whites, between North and South, between
Minority Groups and Americans.
That seo startled the nation, The Hollywood
Moguls frantically denied everything. That brought
the House Committee on Un-American Activities into
action. Their Hearings in Hollywood and Washington
fully confirmed all the (Fagan) charges against the
industry and all the named Stars — and sent the
notorious “Hollywood Ten” to jail. That ROCKED the
nation! The people, infuriated, began #o “blacklist”
the theatres showing those REDS and the Red Films.
Panic swept through the entire industry—it chased
Charlie Chaplin out of the country—it drove SCORES
of other REDS off the Screen... and, far more im-
portant, it closed THOUSAN DS of theatres!
THAT did the job! . . . it hit the Moguls in their
most vulnerable spot: their pocketbook!—and all their
“self-righteous” denials changed to piteous pleas
for forgiveness. They piously promised that “never
again would they employ any REDS” — that “never
again would they produce RED-propaganda films”
and for a time they seemingly kept their promises—
they even barred all tainted Stars from “Oscar”
honors.
But actually they were merely waiting for the
people to forget. And even while “waiting” they
were scheming and conniving how to keep those
REDS “alive” — and finally bring them back into
public favor . they continued to employ RED
writers, (even the. “Hollywood Ten’) under fictitious
names... they secretly financed pictures made in
Europe by banished American REDS . . . other RED
Stars were “taken care of” in Broadway plays. . -
then, as it grew in stature and importance, TELE-
VISION became their greatest sanctuary]
And, tragically, the people did begin to “forget”.
And, gradually, the Marches, the Robinsons, the
Milestones and all the other REDS began to creep
back into Hollywood . . . and once again our theatre
Screens are showing films that sanctify MARXISM—
ONE-WORLDISM—RACIAL DISSENSIONS!
In short, TODAY the REDS are back in Hollywood
stronger and more brazen than ever — even the in-
famous "HOLLYWOOD TEN” are back again!— and
all the honors, including the “Oscar”, have been
restored to them .. . all because the people have
forgotten!
PAUL MUNI
EDWARD R. MURROW
ITER
_ GREGO
NT PR
ANTHONY UINN
ANNE REVERE
QUENTIN REYNOLDS
EDWARD G. ROBINSON
SELENA ROYL
ROBERT RYAN
HAZEL SCOTT
PETE SEEGER
LISA SERGIO
SYLVIA SIDNEY
eae SINATRA
ALE SONDERGARD
tioniet venee
Eten
PRANCHOT ATONE
HILDA VAUGHN
J. Re WALSH
FREDI_ WASHINGTON
0 WELLES.
JOSH WHITE
poe Witess
SAM ZIMBAL\ST
WRITERS, DIRECTORS, PRODUCERS, COMPOSERS
HARMON (HY) ALEXANDER
SY _BARTLE
LEONARD SrtA
WALTER BERNSTEI
ALVAH
HERBERT BIBERMAN
MICHAEL BLANKFORT
MARC _BLITZSTEIN
SEE BLOOMGARDEN
RICHARD BROOKS
SIDNEY BUCHMAN
ABE uae
VERA CASPARY
EDWARD CHODOROV
JEROME CHODOROV
HAROLD CLURMAN
PESTER COLE
BETTY COMDEN
MARC CONNELLY
an ON COPELAND
ORMAN CORWIN
CHERYL CRAWFORD
I. A. L. DIAMO
WILLIAM DIETERLE
DEAN DIXON
PHILIP DUNNE
GS DORE
ALBERT HACKETT
oes Vip HARBURG
Ben echie
LILLIAN HELLMAN
JOHN HOUSEMAN
SOL H
LEO HURWITZ
JOHN HUSTON,
CHARLIE ISAACS
GA NIN
Gicaont RANIN
ELIA
antht “KOBER
S. (HY) KRAFT
STANLEY Ke ER
MILLARD LAMPE
RING LARDNER. IR.
FRITZ LANG
soa LAVERY
OHN HOWARD LAWSON
AVON ie LYON
ARCHIBALD MacLEISH
ALBERT MALTE
DANIEL (DANNY) MANN
MARY. McCALL
LEWIS, MILESTONE
MILLE
DUDLEY NICHOLS
CLIFFOR RD_ODETS
JESS OPPENHEIMER
ORMAN PANAMA
DOROTHY. PARKER
industry and all the named Stars — and sen? tho
notorious “Hollywood Ten” to jail. That ROCKED the
nation! The people, infuriated, began to “blacklist”
the theatres showing those REDS and the Red Films.
Panic swept through the entire industry—it chased
Charlie Chaplin out of the country—it drove SCORES
of other REDS off the Screen... and, far more im-
portant, it closed THOUSANDS of theatres!
THAT did the job! . . . it hit the Moguls in their
most vulnerable spot: their pocketbook!—and all their
“self-righteous” denials changed to piteous pleas
for forgiveness. They piously promised that “never
again would they employ any REDS” — that “never
again would they produce RED-propaganda films”
and for a time they seemingly kept their promises—
they even barred all tainted Stars from “Oscar”
honors.
But actually they were merely waiting for the
people to forget. And even while “waiting” they
were scheming and conniving how to keep those
REDS “alive” — and finally bring them back into
public favor . . . they continued to employ RED
writers, (even the “Hollywood Ten”) under fictitious
names .. . they secretly financed pictures made in
Europe by banished American REDS .. . other RED
Stars were “taken care of” in Broadway plays. . .
then, as it grew in stature and importance, TELE-
VISION became their greatest sanctuary]
And, tragically, the people did begin to “forget”.
And, gradually, the Marches, the Robinsons, the
Milestones and all the other REDS began to creep
back into Hollywood... and once again our theatre
Screens are showing films that sanctify MARXISM—
ONE-WORLDISM—RACIAL DISSENSIONS|
In short, TODAY the REDS are back in Hollywood
stronger and more brazen than ever — even the in-
famous “HOLLYWOOD TEN” are back again!— and
all the honors, including the “Oscar”, have been
restored fo them .. . all because the people have
forgotten!
TV AN EVEN GREATER MENACE
Today, virtually all films for TV are made in
Hollywood — by the Hollywood Reds! RIGHT NOW
all the Hollywood Lots are making thousands of TV
films full of craftily camouflaged RED propaganda,
and, via your TV Set, they are being piped into your
Living Room—and are brainwashing and poisoning
your children right under your very eyes !!...
YOU can stop all thatl—by shunning the theatres
that show the REDS—by refusing to buy the products
of the Sponsors who bring the REDS into your Living
Room! You did it once—you can do it again!
WORST RENEGADES OF ALL!
The Racial Upheaval is, today, the most vicious
weapon of all to destroy our country, to transform
it into a Negro Soviet America. Naturally, the Holly-
wood Reds know it—they are SUPPORTING it—they
lead the Negro marchers in order to give them pres-
tige. The “March on Washington” was designed to
intimidate Congress into passing Kennedy's Civil
Rights Bill. Among the Leaders in that “March” were
Marlon Brando, Burt Lancaster, Paul Newman, Joanne
Woodward, Joseph Mankiewicz and many known
Hollywood and TV Reds ... . Not only that, but, im-
mediately after the “March,” they called on all the
Hollywood Stars (the Reds) to join in a “performers’
boycott” of all segregated theatres, night clubs and
Concert Halls. . . “If every composer, every musician,
every actor, EVERYONE in our profession refused to
allow his contributions to be displayed in any segre-
eta ae it will be very effective—it will win the
ight for the Negoes,” said Brando,
Do we need any more proof that the Reds in Holly-
wood, Radio and TV are actively aiding the Com-
munist plot to take-over America? . . . Do we need
any more reason to drive them off the screens?
Here Is How YOU Can Drive Them Out:
Read the following list . . . They are the best
known of the REDS and FELLOW-TRAVELERS who
made our SCREEN Communism’s most effective
“Pied Piper”. They are now coming into your Liv-
ing Room night affer night VIA YOUR TV SET and
Radio . . . WATCH FOR THEMI . . . Keep this list
with you ALWAYSI. .. When one of them appears
‘on your SET send a copy of this Tract to the SPON-
SOR immediately—and WARN him that if he will
bring another RED into your Living Room you will
never again buy his products—and then fulfill your
warning! . . . Give this Tract to your Grocer, your
Butcher, to ALL Dealers you patronize — and warn
them — so they can warn the Sponsors — also send
copies to your local TV and Radio Stations . . . USE
THE SAME METHOD WITH YOUR MOVIE THEATRE.
THAT is the only way we will drive the REDS out
of Hollywood — Radio — Television . . . Hit the
pocketbooks of the Sponsor | | | REMEMBER: every
time you buy the products of a Sponsor who em-
ploys REDS you are hurting YOUR COUNTRY | | |
ACTORS, SINGERS, DANCERS, COMMENTATORS
LARRY ADLER BETTY GARRETT
LUTHER ADLER WILL cute ;
STELLA ADLER pea GUILFORD
VE ALLEN _ PAULETTE GODDARD
EDITH ATWATER LLOYD GOUGH
LAUREN BACALL BEN GRAUER
LUCILLE BALL UTA _HAGEN
JOHN BEAL JUNE HAVOC
GERTRUDE (MOLLY) BERG ats HAYWORTH
JOAN BENNETT VAI pa
BETSY BLAIR PAUL ENREE
.RLON BRANDO KATHERINE HEPBURN
LLOYD BRIDGES ROSE HOBART
EDDIE CANTOR JUDY HOLLIDAY
BENNETT Sid LENA HOR
CHARLIE CHAPLIN PEA HU!
EE J. COBB HET HUN
ICHARD_ CONTE JOHN IRELAND
JOSEPH COTTEN CHARLES IRVING
UME aonye BURL IVES.
OWARD DA SILVA SAM JAFFE
BETTE DAVIS LEON JANNEY
OLIVE DEERING GEORGE JESSEL
OLIVIA DE HAVILLAND DANNY KAYE
ALBERT DEKKER GENE KELLY
KIRK DOUGLAS TONY KRABE
ELVIN DOUGLAS BURT LANCASTER
ALFRED DRAKE GYPSY ROSE LEE
PAUL DRAPER RAY LEV.
HOWARD DU PETER LORRE
RICHARD DYER-BENNETT
FLORENCE ELDRIDGE
POUGLAS PAIRBANES, JR.
JOSEPH LOSEY
MYRNA LOY
ALINE MacMAHO!
JOSE FERRER FREDERIC MARCH
HENRY FONDA MARGO
AVA GARDNER GROUCHO MARX
SS Hates HERON eat
7 NE cue z ReNaTRe SSnENn. STEWART
SA 1 RAPHAEL JAMES THURE
MER CE a shiePanD TRAURE
H Rot b RO \ Pere VIERTEL
‘ iN IERRY WALD
bo ARY WANAMAKER
rea ee iY
ae SHAW Wepnice yOuhie
WM, L. SHIRER
Here you have the names of more than 200 of the
most rabid REDS and Fellow-Travellers. There are
MANY more, but lack of space pievene! the naming
of all. However, those in this list are the most im-
portant and flagrant—drive them out and it will
smash the entire RED Conspiracy in Hollywood and
in TELEVISION,
NOTE:—A more eeipliei list, with their officially
DOCUMENTED backgrounds of pro-Communist
activities, their RED TS, the techniques they.
employed through the years (still employ) to re-
tain their holds on both Hollywood and TV, and
other invaluable information can be found in
“DOCUMENTATIONS of the RED STARS and FEL-
LOW-TRAVELLERS in HOLLYWOOD and TV”, by
Myron C. Fagan ., . this book will startle you—
shock you—ENRAGE you . . . and make you
FIGHTING mad! You can get this sensational book
by sending $2.00 to Cinema Educational Guild,
Inc.
(Name) -
Street address City (Zone) State
This tract (“RED STARS”) can be obtained at the
rate of: 100 copies for $2.00. . . send your order to:
CINEMA EDUCATIONAL GUILD, INC.,
P.O. Box 46205
Hollywood 46, California